Posts Tagged ‘Rosemary Millette’
Tuesday, July 2nd, 2013
Scot Storm’s “Before the Storm” has been selected as Pheasants Forever’s 2013-2014 Print of the Year.
The Minnesota-based Storm has earned numerous awards and recognition for his wildlife art, including the 2004 Federal Duck Stamp. Storm’s “Rooster Ridge” was Pheasants Forever’s 2009-2010 Print of the Year, and his “Legacy” series helped raise thousands of dollars for Pheasants Forever’s Build a Wildlife Area program.
Since 1984 (two years after Pheasants Forever’s formation), Pheasants Forever has selected an annual Print of the Year – limited-edition prints that local Pheasants Forever chapters have used to raise funds for their area conservation efforts. Artists including Jim Hautman, Robert Hautman, the late James Meger (a record six Pheasants Forever Print of the Year selections), Rosemary Millette and more have contributed to Pheasants Forever’s wildlife habitat mission as Print of the Year artists.
Before the Storm” is signed and numbered in a limited-edition of 1,000 prints, and will be available at Pheasants Forever chapter banquets throughout the next year. It is also available through Pheasants Forever’s MarketPlace framed or unframed.
Monday, July 30th, 2012
Robert Hautman’s “Full House” has been selected as Pheasants Forever’s 30th Anniversary Print of the Year. “Full House” is signed and numbered in an edition of 1,000 prints and will be available at Pheasants Forever chapter banquets this autumn and next spring.
Since 1984 (two years after Pheasants Forever’s formation), Pheasants Forever has selected an annual Print of the Year – limited-edition prints that local Pheasants Forever chapters have used to raise funds for their area conservation efforts. Artists including Jim Hautman (Robert’s brother), the late James Meger (a record six Pheasants Forever Print of the Year selections), Scot Storm, Rosemary Millette and more have contributed to Pheasants Forever’s wildlife habitat mission as Print of the Year artists.
Hautman’s “Full House” draws on his more than 30 years of pheasant hunting experience, and was inspired by a recent South Dakota trip where the ringnecks were plentiful against a backdrop of rich habitat and cool-looking old barns and buildings.
In addition to its availability at Pheasants Forever chapter events, the 30th Anniversary Print of the Year is available unframed at $155, framed at $335 and in holiday cards (25-count with envelopes). To order, call Pheasants Forever toll free at (877) 773-8073.
Thursday, May 5th, 2011
I moved offices at Pheasants Forever earlier this week. Like most people, I wasn’t enthused about packing up my desk and hauling it across the building only to unpack everything again. However, I was pleasantly surprised at how productive the move actually turned out to be for me. Not only did I unearth dust bunnies, I uncovered file folders that had not been opened in years. It’s incredible how little I rely on paper files today compared to 2003 when I started at PF. Time certainly marches forward. The same statement can be made about pheasant art.
After unpacking all my work documents, I took the move as an opportunity to freshen up the art on my office walls. As you can imagine, we have a seemingly unlimited supply of pheasant and quail paintings to choose from in the warehouse. As I re-examined the scenes beautifully captured by the Hautman brothers, James Meger, Rosemary Millette, Scot Storm, and so many other talented artists, I came to a personal revelation about pheasant art – I like the “old school” paintings the best.
I know, I know; “old school” doesn’t offer a very good description of what I’m referring to, so let me be more specific. When I look at the paintings of Les Kouba and Maynard Reece for example, the colors seem to be softer and the birds aren’t necessarily in proportion to the landscape or other objects in the scene. When you look at a Reece print, you can just tell it’s older and the roosters in Kouba’s print are as big as tractors; all 13 of them. Maybe what I see, and like, is faded colors and aged yellowing paper. That could very well be the case; I haven’t carbon dated the prints in the office. Beauty is an individual decision. That’s the point of art, isn’t it? In any event, a Maynard Reece print from 1976 now hangs over my desk.
Who is your favorite pheasant artist?
The Pointer is written by Bob St.Pierre, Pheasants Forever’s Vice President of Marketing.